Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Facebook
Instagram
Twitter
Films
found one film
showing search results for “carnival king of europe”
x
Country
“Afghanistan”
x
Year of production
“2008”
x
films with a digital version
1
Region
South Asia
1
Country
Afghanistan
1
x
Keywords
Education / Knowledge Transmission
1
Music / Ethnomusicology
1
Personal Narrative
1
Directors
Baily, John
1
Series
not set
1
Country of production
United Kingdom
1
Year of production
2008
1
x
Film
Ustad Rahim
2008
55
‘
Directed by
John Baily
.
Shot in the city of Heart, western Afghanistan 1994, in the period between the fall of the last leftist government and the coming of the Taliban, this is a portrait film of an outstanding musician, Ustad Rahim Khushnawaz. He was a master of the Afghan rubab, a double-chambered plucked lute with sympathetic strings. Using the observational cinema style the film shows Ustad Rahim in various contexts. These include a guided tour of the photos in his music room that recount his musical career, being at home with his wife and children, showing off his pigeons, erecting the tombstone for his father’s grave, and teaching and playing the rubab. Of particular interest is the gormani ritual, a gathering of musicians where Rahim accepts a new student.
South Asia
Music / Ethnomusicology
Education / Knowledge Transmission
Personal Narrative